Purgatory
Characters
Dante the pilgrim
Dante is the pilgrim who, in the second canticle, leaves the dead air of Hell, reaches at dawn the deserted shore of an island and climbs the mountain of Purgatory with the body of flesh with which he was born. That body is what sets him apart from everyone:...
Virgil
Virgil is the shade of the poet of Mantua, author of the Aeneid, who guided Dante through all of Hell and continues to guide him in the second canticle, this time as one who does not know the way. In Hell he knew the way; here he must ask, reason aloud and...
Cato
The old man who guards the shore of Purgatory is a solitary with a long white beard, whose face the four stars that only the first men saw illuminate, to the point that it seems the sun lights him. The text gives him no name. It says that he left life at...
Manfred
Manfred, whom tradition takes as king of Sicily, is the blond, handsome man of gentle appearance who, at the foot of the mountain, in Ante-Purgatory, identifies himself to Dante by showing a wound high on his chest and smiling, and says whose descendant he...
Sordello
Sordello is the Lombard soul, proud and disdainful, with honest, slow eyes, whom Dante and Virgil find alone in Ante-Purgatory and who, like a lion at rest, does not answer their request for the way. What makes him rise is the name of a land: Mantua. From...
Marco Lombardo
Marco Lombardo is a voice inside the smoke. The third turn of the mountain, that of wrath, is darker than Hell and than a night without a planet, and Dante walks through it with eyes closed, behind Virgil, as the blind man follows his guide. It is from there...
Statius
Statius is the Latin poet whom the mountain makes tremble. He appears on the fifth turn, behind Dante and Virgil, as Christ appeared to the two on the road, according to Luke, already risen from the tomb: he speaks before being seen and wishes peace. He had...
Forese Donati
Forese Donati is Dante's youthful friend, whom the pilgrim recognizes only by his voice. On the sixth turn, that of gluttony, the souls pass in silence and devotion, so thin that the skin takes the shape of the bones, and it is from one of them, who turns his...
The poets of fire
Guido Guinizelli and Arnaut are the two poets of love whom Dante meets on the last fire of the mountain, the ledge of lust, and the poem presents them together, one passing on to the other the praise he has just received. Guinizelli speaks first. He addresses...
Matelda
Matelda is the woman whom Dante finds on the other side of a stream in the Earthly Paradise, alone, singing and choosing flower among flowers, and whom he cannot name. Only in the last canto of the canticle does the poem give her name, and it gives it in...
Beatrice
Beatrice is the woman whom Purgatory has promised since the sixth canto and delivers in the thirtieth: the one whom Virgil names when he reaches the limit of what his reason can reach, the one who descends from a cloud of flowers on the riverbank in the...
Other characters
- Casella: Dante's musician friend, whose love song consoles the poet and makes the souls forget the way until Cato interrupts (Canto II)
- Belacqua: Dante's acquaintance seated in the shade, arms around his knees, who knows the rule of waiting exactly and keeps sitting (Canto IV)
- Buonconte da Montefeltro: wounded at Campaldino and dead in flight by the Archiano, his body never found, whose soul an angel disputed with a demon (Canto V)
- Pia: the Sienese woman who asks only to be remembered and leaves her husband implicit (Canto V)
- Rudolf: the emperor seated high in the valley, who could heal Italy's wounds and did not, and who does not move his lips to the songs of others (Canto VII)
- Nino: the judge whom Dante is glad to see outside the accused, and who asks that his daughter Giovanna pray for him (Canto VIII)
- Conrad Malaspina: the lord of the Val di Magra who prophesies to Dante that the courteous opinion about his house will be nailed to his head by deeds (Canto VIII)
- Lucia: the woman who carries Dante asleep in her arms to the gate, to ease his way (Canto IX)
- Omberto Aldobrandesco: the Tuscan whom the nobility of his blood made despise all men, to the point of dying for it (Canto XI)
- Oderisi da Gubbio: the miniaturist who gives the honor to his rival Franco and speaks of the empty glory of Cimabue and Giotto (Canto XI)
- Provenzano Salvani: the lord of Siena spared the wait for humbling himself in the square to ransom a friend (Canto XI)
- Sapia: the envious Sienese woman who rejoiced at her people's defeat at Colle and cried out to God that she no longer feared him (Canto XIII)
- Guido del Duca: the Romagnol for whom it was enough to see a man joyful to turn pale, who makes an inventory of vices out of the valley of the Arno (Canto XIV)
- Adrian V: the pope, unnamed in the poem (tradition reads him this way), who tasted for a month and a little more the weight of the mantle and only then wanted another life, and who does not accept Dante's kneeling (Canto XIX)
- Hugh Capet: the founder of the reigning house of France, who calls himself the root of the evil plant and accuses his own descendants (Canto XX)
- Bonagiunta da Lucca: the poet of Lucca who murmurs the name of Gentucca and names the sweet new style (Canto XXIV)
- Leah: the woman of the dream who gathers flowers and adorns herself with her hands, while her sister Rachel stands before the mirror (Canto XXVII)