Returning to the same word, the same phrase, or the same construction, at the start of consecutive lines or sentences (anaphora) or throughout the text, to give rhythm, emphasis, or insistence.
In Quincas Borba
everything, from his slippers to the sky, everything enters the same sensation of ownership
The double "everything" hammers home the idea of totality and makes the list grow from the slippers to the sky, as if nothing were left out of what Rubião considers his.
Chapters I to XII: Humanitas and the Philosopher's Death, the narrator
The greatest sin, after the sin, is the publication of the sin
Chapters XXIX to XL: Strawberries, Moonlight, and Rubião's Declaration, Carlos Maria
Lucullus always dined with Lucullus
Chapters CXLVIII to CLIX: The Delirium in Sofia's Coupé, the narrator
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