Consecutive sentences or verses with the same construction, so that the reader compares what changes from one to the next.
In One, No One, and One Hundred Thousand
Ah, there it is: a usurer to the others; a fool here, to Dida, my wife. I was Gengè; a fool here, in her mind and before my wife's eyes.
"A usurer, to the others; a fool here, to Dida" repeats the same construction in two halves. The reader compares what changes between them, the place and the judgment, and sees that the body is the same.
I was becoming “one.” I. I, who now wanted myself this way. I, who now felt myself this way. At last. No longer a usurer (enough of that bank!): and no longer Gengè (enough of that puppet!).
No name. No memory, today, of yesterday's name; of today's name, tomorrow. [...] It is nothing other than this, an epitaph, a name.
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