Crime and Punishment
Literary Devices
Repetition
Returning to the same word, phrase or construction, at the start of successive verses or sentences (anaphora) or throughout the text, to give rhythm, emphasis or insistence.
Metaphor
Saying one thing through another, without a word of comparison: instead of saying that something is like another thing, one says it is. The image transfers to the subject the qualities of the thing it has been identified with.
Antithesis
Placing opposing ideas or words side by side, so that one illuminates the other through contrast.
Rhetorical Question
Question asked without expecting an answer, because the answer is already implied, or because what matters is the doubt it exposes.
Leitmotif
Word, phrase or image that returns several times throughout the work, tied to a character or an idea, and gains meaning with each return.
Allusion
Brief reference, without explanation, to a person, a text, a myth or a fact known outside the work, which carries with it the meaning of that other story.
Sensory Imagery
Description that appeals to the senses (what is seen, heard, smelled, tasted or touched) and makes the reader perceive the scene, not just understand it.
Simile
Bringing two different things together with an explicit word, such as "like", "just as" or "seems". Unlike metaphor, comparison makes visible that they are two things.
Personification
Giving a thing, an animal or an abstract idea actions, feelings or speech proper to a person.
Irony
Saying one thing while meaning another, often the opposite. The true sense is left to whoever reads or hears.
Paradox
Statement that seems to contradict itself or common sense, but which, once thought through, reveals a truth.
Intrusive Narrator
The narrator interrupts the story to comment, judge, give an opinion or speak directly to the reader.
Euphemism
Saying in a soft, indirect or disguised way something harsh, ugly or forbidden to name.
Parallelism
Consecutive sentences or verses with the same construction, so that the reader compares what changes from one to the next.