Clavis Libri

The Red and the Black

Quotes

The 74 passages that decide the work, each with who speaks, the linked themes and characters, and an explanation.

Book I, chapter 1: A small town

the tyranny of opinion, and what opinion!, is just as stupid in the small towns of France as in the United States of America.
Speaker
the narrator
Characters
Monsieur de Rênal
Themes
Appearance and RealitySocial Class
Devices
Intrusive narrator, Satire

Explanation and analysis

The sentence appears at the opening of the book, when the narrator is still describing Verrières and its mayor and does not yet know of the hero. He has just explained how one earns esteem in the town: by building many walls and rejecting any project brought from Italy by the masons, because the "sensible and moderate" people who dispense public esteem punish anyone who innovates with the reputation of being hardheaded. For someone who has known Paris, the text says, living in a little town like this is unbearable, and it is at this point that the comparison with the United States falls: the tyranny of opinion is just as stupid there as it is here.

What the sentence sets up for the rest of the novel is the ground on which Julien will move. In Verrières, what weighs is what the neighbors will think, more than what each person thinks or feels, and the mayor himself lives as a hostage to that gaze: all old Sorel has to do is smile at him from afar, and he begins to think he could have paid less for the land. For someone with neither a name nor money to impose his own opinion, learning to manage the opinions of others may be a matter of survival, and this is where Julien's hypocrisy stops looking like merely a flaw of character and starts to look like a tool as well. One may also read the narrator's irony as an early warning that the book will treat appearance as power: what the town thinks of a man is worth more in Verrières than what he is.

Book I, chapter 2: A mayor

Here is the great word that decides everything in Verrières: TO YIELD A PROFIT. On its own, it represents the habitual thinking of more than three quarters of the inhabitants.
Speaker
the narrator
Characters
Monsieur de Rênal
Themes
Social Class
Devices
Satire

Explanation and analysis

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Book I, chapter 3: A curé

I have been here fifty-six years; I have baptized almost all the inhabitants of the town, which was no more than a village when I arrived. Every day I perform the weddings of young people whose grandparents were married by me. Verrières is my family
Speaker
Abbé Chélan
Characters
Abbé Chélan, Monsieur de Rênal, Valenod
Themes
Social ClassPolitics
Devices
Metaphor

Explanation and analysis

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Book I, chapter 4: A father and a son

looked sadly at the stream where the book had fallen; of all of them, it was the one he prized most, the Memorial of Saint Helena.
Speaker
the narrator
Characters
Julien Sorel, Father Sorel
Themes
AmbitionSocial Class
Symbols
The Memorial of Saint Helena
Devices
Allusion

Explanation and analysis

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Book I, chapter 5: A negotiation

The collection of Grande Armée bulletins and the Memorial of Saint Helena completed his Koran. He would let himself be killed for these three works. He had never believed in any other.
Speaker
the narrator
Characters
Julien Sorel
Themes
AmbitionAppearance and Reality
Symbols
The Memorial of Saint Helena, The uniform and the cassock
Devices
Metaphor, Allusion

Explanation and analysis

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Nowadays we see priests of forty earning a hundred thousand francs a year in salary, that is, three times more than Napoleon's famous division generals. [...] One has to be a priest.
Speaker
Julien Sorel (in thought)
Characters
Julien Sorel
Themes
AmbitionSocial ClassAppearance and Reality
Symbols
The uniform and the cassock

Explanation and analysis

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Book I, chapter 6: Boredom

What a difference from me, thought Julien. Only yesterday my father beat me. How happy these rich people are!
Speaker
Julien Sorel (in thought)
Characters
Julien Sorel, Madame de Rênal, Monsieur de Rênal
Themes
HappinessSocial Class

Explanation and analysis

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Book I, chapter 7: Elective affinities

The children adored him, he did not like them; his thoughts were elsewhere. [...] Cold, just, impassive, and yet loved, because his arrival had somehow driven boredom from the house, he was a good tutor.
Speaker
the narrator
Characters
Julien Sorel, Madame de Rênal
Themes
Appearance and RealityLove
Devices
Antithesis

Explanation and analysis

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Book I, chapter 8: Small events

she thought of passions the way we think of the lottery: a sure deception and a happiness sought by fools.
Speaker
the narrator
Characters
Madame de Rênal, Julien Sorel
Themes
LoveHappiness
Devices
Comparison

Explanation and analysis

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Book I, chapter 9: A night in the country

All my reputation destroyed, annihilated in a second!, thought Julien as he watched the box burn, and my reputation is my only possession, it is only for its sake that I live… And yet what a life, my God!
Speaker
Julien Sorel (in thought)
Characters
Julien Sorel, Madame de Rênal
Themes
Appearance and RealityAmbition
Symbols
The uniform and the cassock
Devices
Hyperbole

Explanation and analysis

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Book I, chapter 10: A great heart

I have won a battle, he said to himself as soon as he was in the woods and far from the gaze of men. I have won a battle!
Speaker
Julien Sorel
Characters
Julien Sorel, Monsieur de Rênal
Themes
AmbitionPrideSocial Class
Symbols
The uniform and the cassock
Devices
Metaphor, Repetition

Explanation and analysis

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Book I, chapter 12: A journey

With his head resting in his hands, Julien felt happier in the grotto than he had ever been in his whole life, stirred by daydreams and by the enjoyment of freedom.
Speaker
the narrator
Characters
Julien Sorel
Themes
HappinessAppearance and Reality
Devices
Foreshadowing

Explanation and analysis

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What! I would cowardly waste seven or eight years! I would reach twenty-eight that way, but at that age Bonaparte had already accomplished his greatest feats!
Speaker
Julien Sorel (in thought)
Characters
Julien Sorel
Themes
AmbitionAppearance and Reality
Symbols
The uniform and the cassock
Devices
Allusion

Explanation and analysis

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Book I, chapter 14: The English scissors

His pride would leave nothing to chance, not even to the inspiration of the moment. Based on Fouqué's confidences and on the little he had read about love in his Bible, he drew up a fairly detailed plan of campaign.
Speaker
the narrator
Characters
Julien Sorel, Madame de Rênal
Themes
PrideLoveAppearance and Reality
Devices
Personification, Situational irony

Explanation and analysis

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Book I, chapter 15: The crowing of the rooster

Good God! To be happy, to be loved, is that all it is?
Speaker
Julien Sorel (in thought)
Characters
Julien Sorel, Madame de Rênal
Themes
HappinessAmbitionLove
Devices
Rhetorical question

Explanation and analysis

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Book I, chapter 16: The next day

His love was still ambition: the joy of a poor, unhappy creature, so despised, possessing a woman so noble and so beautiful.
Speaker
the narrator
Characters
Julien Sorel, Madame de Rênal
Themes
LoveAmbitionSocial Class
Devices
Antithesis

Explanation and analysis

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Book I, chapter 17: The deputy mayor

She is good and kind, she has a lively affection for me, but she was raised in enemy territory.
Speaker
Julien Sorel (in thought)
Characters
Julien Sorel, Madame de Rênal
Themes
Social ClassPoliticsLove
Devices
Metaphor

Explanation and analysis

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Book I, chapter 18: A king in Verrières

There was a Te Deum, clouds of incense, endless volleys of muskets and artillery; the peasants were drunk with happiness and devotion. A day like that undoes the work of a hundred issues of Jacobin newspapers.
Speaker
the narrator
Characters
Julien Sorel, Marquis de La Mole
Themes
PoliticsAppearance and Reality
Symbols
The uniform and the cassock
Devices
Satire, Sensory imagery

Explanation and analysis

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Book I, chapter 19: To think is to suffer

Madame de Rênal suddenly succumbed to a terrible remorse. For the first time she reproached herself firmly for her love; she seemed to grasp, as if by miracle, the enormous deception to which she had let herself be dragged. Though of a deeply religious character, until then she had not considered the dimension of her crime in the eyes of God.
Speaker
the narrator
Characters
Madame de Rênal, Julien Sorel, Monsieur de Rênal
Themes
LoveAppearance and Reality

Explanation and analysis

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Book I, chapter 20: The anonymous letters

It is you who will arrange the anonymous letter; arm yourself with patience and a pair of scissors.
Speaker
Madame de Rênal
Characters
Madame de Rênal, Julien Sorel, Valenod
Themes
Appearance and RealityLove

Explanation and analysis

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Book I, chapter 21: Dialogue with a master

It is with blows of public contempt that a husband kills his wife in the nineteenth century, by shutting her out of the salons.
Speaker
the narrator
Characters
Monsieur de Rênal, Madame de Rênal, Valenod
Themes
Social ClassAppearance and RealityPolitics
Devices
Metaphor, Satire

Explanation and analysis

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Book I, chapter 22: Ways of acting in 1830

Julien, already very ill at ease, thought that on the other side of the dining-room wall were poor prisoners whose share of meat may have been taken to pay for all this tasteless luxury with which they meant to dazzle and overwhelm him. Perhaps they are hungry right now, he said to himself; his heart tightened, he could not eat, and he could barely speak.
Speaker
the narrator
Characters
Julien Sorel, Valenod
Themes
Social ClassAppearance and RealityPolitics
Devices
Antithesis

Explanation and analysis

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Book I, chapter 23: A civil servant's woes

By God, I always thought it better to be a Geronimo than a Rênal.
Speaker
Julien Sorel (to himself)
Characters
Julien Sorel, Monsieur de Rênal
Themes
HappinessSocial Class

Explanation and analysis

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Book I, chapter 24: A capital

For a poor devil like me, thought Julien, with no patrons and no money, there can't be much difference between the seminary and prison
Speaker
Julien Sorel (in thought)
Characters
Julien Sorel
Themes
Social ClassAmbition
Symbols
The seminary at Besançon, The uniform and the cassock
Devices
Comparison, Foreshadowing

Explanation and analysis

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Book I, chapter 26: The World, or What the Rich Man Lacks

Following the maxims he had set for himself, he considered his three hundred and twenty-one classmates enemies, the most dangerous of all being Abbé Pirard. A few days later, Julien had to choose a confessor and was shown a list. Oh, my God! What do they take me for?, he thought. Do they suppose I don't know where I am putting my feet? He chose Abbé Pirard.
Speaker
the narrator
Characters
Julien Sorel, Abbé Pirard
Themes
Appearance and RealityAmbition
Symbols
The seminary at Besançon
Devices
Situational irony, Rhetorical question

Explanation and analysis

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So science is worth nothing here? [...] My only merit consisted in [...] grasping these twaddles. [...] And I was a fool to be proud!
Speaker
Julien Sorel (in thought)
Characters
Julien Sorel
Themes
Social ClassAppearance and RealityPride
Symbols
The seminary at Besançon
Devices
Rhetorical question

Explanation and analysis

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Book I, chapter 27: First experience of life

Having instilled in him the habit of reasoning correctly and of not being satisfied with empty words, he took no care to tell him that, in one who is not much esteemed, this habit is a crime; for every good argument offends.
Speaker
the narrator
Characters
Julien Sorel, Abbé Chélan
Themes
Social ClassAppearance and Reality
Symbols
The seminary at Besançon
Devices
Paradox, Irony

Explanation and analysis

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Book I, chapter 28: A procession

Your presence must horrify her, she was so happy before she knew you!
Speaker
Madame Derville
Characters
Julien Sorel, Madame de Rênal
Themes
LoveHappiness

Explanation and analysis

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Book I, chapter 29: The first promotion

his classmates will never look at him without hating him; if they pretend to love him, it will be to betray him all the better.
Speaker
Abbé Pirard
Characters
Abbé Pirard, Julien Sorel
Themes
Appearance and RealitySocial Class
Symbols
The seminary at Besançon
Devices
Foreshadowing, Antithesis

Explanation and analysis

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In the other's time, now that was something! A mason would become an officer, would become a general; people saw it happen.
Speaker
a mason
Characters
Julien Sorel
Themes
PoliticsSocial ClassAmbition
Symbols
The uniform and the cassock
Devices
Allusion, Repetition

Explanation and analysis

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Book I, chapter 30: An ambitious man

If Madame de Rênal's return to tender feelings and the eclipse of her remorse had come a little sooner, they would have been a divine happiness; obtained this way, through artifice, they were no more than a pleasure.
Speaker
the narrator
Characters
Julien Sorel, Madame de Rênal
Themes
LoveHappinessAmbition
Devices
Antithesis, Intrusive narrator

Explanation and analysis

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Book II, chapter 1: The pleasures of the country

His ancestor was at court and had the honor of having his head cut off at the Place de Grève, on April 26, 1574, because of a political intrigue. And you, sir, are the son of a carpenter from Verrières, and what is more, in the service of his father.
Speaker
Abbé Pirard
Characters
Abbé Pirard, Julien Sorel, Marquis de La Mole
Themes
Social ClassPride
Symbols
The severed head
Devices
Irony, Foreshadowing

Explanation and analysis

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Book II, chapter 3: The first steps

If Julien is a fragile reed, let him break; if he is a man of character, let him manage on his own
Speaker
Abbé Pirard (in thought)
Characters
Abbé Pirard, Julien Sorel
Themes
Social ClassPride
Devices
Metaphor, Parallelism

Explanation and analysis

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Book II, chapter 4: The La Mole mansion

Neither a hundred thousand écus a year nor a decoration can stand against this rule of the salon. A living idea, however slight, seemed like rudeness.
Speaker
the narrator
Characters
Julien Sorel, Marquis de La Mole
Themes
Social ClassAppearance and RealityPolitics
Symbols
The La Mole salon
Devices
Satire, Irony

Explanation and analysis

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Book II, chapter 5: Sensibility and a Devout Great Lady

Julien was surprised; the idea of religion was, in his mind, unquestionably tied to hypocrisy and to the hope of earning money.
Speaker
the narrator
Characters
Julien Sorel, Abbé Pirard
Themes
Appearance and RealityAmbition

Explanation and analysis

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Book II, chapter 6: Manner of pronunciation

"Those gentlemen, though very noble," thought Julien, "are not as tedious as the people who dine at Monsieur de La Mole's mansion; and I see why, [...] They allow themselves to be indecent."
Speaker
Julien Sorel (in thought)
Characters
Julien Sorel
Themes
Social ClassAppearance and Reality
Symbols
The La Mole salon
Devices
Paradox, Satire

Explanation and analysis

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Book II, chapter 7: A gout attack

it will be necessary to commit just as many injustices if one wants to win, and also to know how to hide them beneath fine sentimental words
Speaker
Julien Sorel (in thought)
Characters
Julien Sorel, Valenod
Themes
AmbitionAppearance and RealitySocial Class

Explanation and analysis

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Book II, chapter 8: Which decoration is the most honorable

I think only a death sentence honors a man [...], it is the one thing that cannot be bought.
Speaker
Mathilde de La Mole (in thought)
Characters
Mathilde de La Mole, Julien Sorel
Themes
PrideLoveSocial Class
Symbols
The severed head
Devices
Paradox, Foreshadowing

Explanation and analysis

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Book II, chapter 9: The ball

You and I, at this dinner, will be the only ones without a stain of blood, but I will be despised and almost hated as a bloodthirsty Jacobin monster, and you, despised simply as a man of the people, an intruder in good society.
Speaker
Count Altamira
Characters
Julien Sorel
Themes
Social ClassPolitics
Devices
Irony, Foreshadowing

Explanation and analysis

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Book II, chapter 11: The empire of a young woman

I have the happiness of loving!, she thought one day, in a rush of incredible joy. I am in love, I am in love, of course!
Speaker
Mathilde de La Mole (in thought)
Characters
Mathilde de La Mole, Julien Sorel
Themes
LovePride
Devices
Repetition

Explanation and analysis

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Book II, chapter 12: He'll be a Danton

If, despite his poverty, Julien were noble, my love would be nothing more than a vulgar folly, merely an unequal alliance; that I would not accept; there would be nothing of what characterizes great passions: the enormous difficulty to be overcome and the obscure uncertainty of events.
Speaker
Mathilde de La Mole (in thought)
Characters
Mathilde de La Mole, Julien Sorel
Themes
LoveSocial ClassPride
Devices
Paradox

Explanation and analysis

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Book II, chapter 13: A conspiracy

our merits, mine and the marquis's, were weighed, and the poor carpenter from the Jura won.
Speaker
Julien Sorel (in thought)
Characters
Julien Sorel, Mathilde de La Mole, Marquis de La Mole
Themes
PrideSocial ClassLove

Explanation and analysis

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Book II, chapter 14: Thoughts of a young woman

What will your pretensions be, if one day you have all power over me? Very well! I shall say, as Medea does: amid so many dangers, I still have ME.
Speaker
Mathilde de La Mole (in thought)
Characters
Mathilde de La Mole, Julien Sorel
Themes
PrideLove
Devices
Allusion, Rhetorical question

Explanation and analysis

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Book II, chapter 15: Will it be a conspiracy?

if I refuse, I will despise myself afterward. I will think about this affair for the rest of my life with some doubt, and for me, a doubt like that is the most humiliating of misfortunes. Was it not what I suffered because of Amanda's lover? I think I would forgive a clear crime more easily; once confessed, I would no longer think about it.
Speaker
Julien Sorel (in thought)
Characters
Julien Sorel, Mathilde de La Mole
Themes
PrideAppearance and Reality
Devices
Rhetorical question, Hyperbole

Explanation and analysis

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Book II, chapter 16: One in the morning

It was not, it is true, that volupté of the soul he had sometimes found with Madame de Rênal. Nothing tender was in his feelings in that first moment. It was the most lively joy of ambition, and Julien was above all ambitious.
Speaker
the narrator
Characters
Julien Sorel, Madame de Rênal, Mathilde de La Mole
Themes
LoveAmbition
Devices
Antithesis

Explanation and analysis

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In truth, her enthusiasm was somewhat deliberate. Passionate love, more than a reality, was still a model one imitated.
Speaker
the narrator
Characters
Mathilde de La Mole
Themes
LoveAppearance and Reality
Devices
Oxymoron, Intrusive narrator

Explanation and analysis

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Book II, chapter 18: Cruel moments

His words, so frank but so stupid, changed everything in an instant: Mathilde, certain now of being loved, despised him completely.
Speaker
the narrator
Characters
Mathilde de La Mole, Julien Sorel
Themes
LovePride
Devices
Paradox, Antithesis

Explanation and analysis

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Book II, chapter 19: The Opéra Bouffe

Cerebral love is undoubtedly wittier than true love, but it has only a few moments of enthusiasm; it knows itself too well, it judges itself without ceasing; instead of leading thought astray, it is built only by the force of thoughts.
Speaker
the narrator
Characters
Mathilde de La Mole, Julien Sorel
Themes
LovePrideAppearance and Reality
Devices
Intrusive narrator, Antithesis

Explanation and analysis

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Very well, sir, a novel is a mirror carried along a great highway. It can reflect, in your eyes, the blue of the sky as well as the filth of the mire on the road. Could the man who carries the mirror in his baggage be accused of immorality? The mirror shows the dirt, and you accuse the mirror? You should accuse the long road where the mire forms and, above all, the road inspector who lets the water stagnate and the sludge accumulate.
Speaker
the narrator
Themes
Appearance and RealityPolitics
Devices
Metaphor, Intrusive narrator, Rhetorical question

Explanation and analysis

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Book II, chapter 20: The Japanese vase

is destroyed forever, just as the feeling that once reigned in my heart is; I beg you to accept my apologies for all the follies it led me to commit
Speaker
Julien Sorel
Characters
Julien Sorel, Mathilde de La Mole
Themes
LovePride
Devices
Comparison

Explanation and analysis

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Book II, chapter 22: The argument

"Politics," the author continues, "is a stone tied around the neck of literature, which in less than six months makes it sink. Politics, among the interests of the imagination, is a pistol shot in the middle of a concert. That noise is dissonant without being forceful. It does not harmonize with the sound of any instrument. This politics will mortally offend half the readers and bore the other half, who found it much more interesting and lively in the morning newspaper." "If your characters do not speak of politics," the editor continues, "they will no longer be Frenchmen of 1830, and your book will no longer be a mirror, as you wished…"
Speaker
the author and the editor, in a feigned dialogue
Themes
PoliticsAppearance and Reality
Devices
Metaphor, Intrusive narrator

Explanation and analysis

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Book II, chapter 23: The Clergy, the Woods, Liberty

Fifty thousand priests repeat the same words on the day indicated by the leaders, and the people, who after all supply the soldiers, will be moved more by the voice of their priests than by the trivial verses of the world
Speaker
the cardinal
Characters
Julien Sorel
Themes
PoliticsSocial Class

Explanation and analysis

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Book II, chapter 24: Strasbourg

Remember the great principle of the century: show yourself the opposite of what they expect of you. Act exactly as you acted eight days before being honored with her favors.
Speaker
Prince Korasoff
Characters
Julien Sorel, Mathilde de La Mole, Madame de Rênal
Themes
LoveAppearance and RealityPride

Explanation and analysis

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Book II, chapter 28: Manon Lescaut

...Remember, sir, that whoever loves me must not love Napoleon; at most he may accept him as a necessity imposed by Providence. Besides, that man did not have a soul elegant enough to feel the masterpieces of the arts.
Speaker
Marechale de Fervaques
Characters
Julien Sorel
Themes
PoliticsAppearance and Reality
Symbols
The Memorial of Saint Helena
Devices
Satire

Explanation and analysis

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Book II, chapter 29: Boredom

So here is that proud woman, at my feet!, thought Julien.
Speaker
Julien Sorel (in thought)
Characters
Julien Sorel, Mathilde de La Mole
Themes
PrideLove
Devices
Antithesis

Explanation and analysis

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Book II, chapter 30: A box at the Opéra Bouffe

Madame de Rênal found reasons to do what her heart dictated. This young woman of high society lets her heart be moved only after finding good reasons for it to be moved.
Speaker
Julien Sorel (in thought)
Characters
Madame de Rênal, Mathilde de La Mole, Julien Sorel
Themes
LovePride
Devices
Antithesis

Explanation and analysis

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Book II, chapter 31: To frighten her

"TO FRIGHTEN HER," he suddenly exclaimed, throwing the book far away. "The enemy will obey me only to the extent that I frighten him, so he will not dare to despise me."
Speaker
Julien Sorel
Characters
Julien Sorel, Mathilde de La Mole
Themes
LovePridePolitics
Devices
Metaphor

Explanation and analysis

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Book II, chapter 32: The tiger

An English traveler reported the intimacy in which he lived with a tiger. He had raised it and stroked it, but he always kept a loaded pistol on his table.
Speaker
the narrator
Characters
Julien Sorel, Mathilde de La Mole
Themes
LovePride
Devices
Story within a story

Explanation and analysis

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Book II, chapter 33: The hell of weakness

But, God help me, I love life... I must keep it for my son.
Speaker
Julien Sorel (in thought)
Characters
Julien Sorel, Mathilde de La Mole, Marquis de La Mole, Abbé Pirard
Themes
LoveHappiness

Explanation and analysis

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Book II, chapter 34: A man of wit

After all, he thought, my romance is over, and the merit is all mine.
Speaker
Julien Sorel (in thought)
Characters
Julien Sorel, Marquis de La Mole, Mathilde de La Mole
Themes
AmbitionSocial Class
Symbols
The uniform and the cassock
Devices
Situational irony, Metaphor

Explanation and analysis

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Book II, chapter 35: A storm

He had become a lieutenant, by favor, barely two days earlier, and already he was calculating that to be commander in chief by thirty at the latest, like all the great generals, one had to be more than a lieutenant by twenty-three.
Speaker
the narrator
Characters
Julien Sorel, Abbé Pirard, Marquis de La Mole
Themes
Ambition
Symbols
The uniform and the cassock
Devices
Situational irony

Explanation and analysis

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Julien no longer recognized her so well. He fired once and missed; he fired a second time, and she fell.
Speaker
the narrator
Characters
Julien Sorel, Madame de Rênal
Themes
PrideLoveAmbition
Symbols
The church of Verrières
Devices
Parallelism

Explanation and analysis

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Book II, chapter 36: Sad details

Only then did Julien begin to repent of the crime he had committed.
Speaker
the narrator
Characters
Julien Sorel, Madame de Rênal
Themes
LoveHappiness

Explanation and analysis

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Book II, chapter 38: A powerful man

Mathilde felt herself in Paris.
Speaker
the narrator
Characters
Mathilde de La Mole, Abbé de Frilair
Themes
Social ClassPolitics
Devices
Metonymy

Explanation and analysis

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Book II, chapter 39: The intrigue

Ambition was dead in his breast, another passion had risen from the ashes; he called it remorse for having shot Madame de Rênal.
Speaker
the narrator
Characters
Julien Sorel, Madame de Rênal, Mathilde de La Mole
Themes
AmbitionLoveHappiness
Devices
Metaphor

Explanation and analysis

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Book II, chapter 40: Tranquility

Still, it is strange that I have known the art of enjoying life only after seeing its end draw near.
Speaker
Julien Sorel (in thought)
Characters
Julien Sorel
Themes
HappinessAmbition
Devices
Paradox

Explanation and analysis

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Book II, chapter 41: The trial

I have no illusions, death awaits me: it will be just. I was capable of attacking the life of the woman most worthy of all respect, of all homage. [...] My crime is atrocious and was premeditated. I deserve, therefore, death, gentlemen of the jury. [...] But, even if I were less guilty, I see men who, without taking into account what my youth might deserve in mercy, will want to punish in me and discourage forever this class of young men who, born into a lower class and somehow oppressed by poverty, have the good fortune to obtain a good education and the audacity to mingle with what the pride of the rich calls good society.
Speaker
Julien Sorel
Characters
Julien Sorel, Valenod
Themes
Social ClassPridePolitics
Devices
Irony, Antithesis

Explanation and analysis

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This is my crime, gentlemen, and, in truth, it will be punished even more severely for not being judged by my peers. I see on the jury benches no enriched peasant, but only indignant bourgeois...
Speaker
Julien Sorel
Characters
Julien Sorel, Abbé de Frilair, Valenod
Themes
Social ClassPolitics

Explanation and analysis

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Book II, chapter 42

After an act like that, how can I persuade her that it is only her I love? For, after all, did I want to kill her out of ambition or out of love for Mathilde?
Speaker
Julien Sorel (in thought)
Characters
Julien Sorel, Madame de Rênal, Mathilde de La Mole
Themes
LoveAmbition
Devices
Rhetorical question

Explanation and analysis

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Book II, chapter 43

Could we not spend two months together in a delightful way? Two months are a lot of days. I will never have been so happy.
Speaker
Julien Sorel
Characters
Julien Sorel, Madame de Rênal
Themes
HappinessLove
Devices
Rhetorical question, Situational irony

Explanation and analysis

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Book II, chapter 44

There is no natural right: that expression is nothing but an old folly, worthy of the prosecutor who accused me that day, and whose ancestor was enriched by a confiscation under Louis XIV. There is only a right when there is a law that forbids doing something under penalty of punishment.
Speaker
Julien Sorel (in thought)
Characters
Julien Sorel
Themes
PoliticsSocial Class
Devices
Irony

Explanation and analysis

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Book II, chapter 45

when I could have been so happy on our walks in the woods of Vergy, an impetuous ambition carried my soul off to imaginary regions. [...] No, I would die without knowing happiness if you had not come to see me in this prison.
Speaker
Julien Sorel
Characters
Julien Sorel, Madame de Rênal
Themes
HappinessAmbitionLove
Devices
Metaphor, Situational irony

Explanation and analysis

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When Fouqué gathered the courage to look, she had placed, on a small marble table before her, Julien's head, and she was kissing it on the forehead...
Speaker
the narrator
Characters
Mathilde de La Mole, Julien Sorel
Themes
LovePride
Symbols
The severed head
Devices
Leitmotiv, Sensory imagery

Explanation and analysis

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Madame de Rênal remained faithful to her promise. She did not in any way attempt against her life; but three days later she died, embracing her children.
Speaker
the narrator
Characters
Madame de Rênal, Mathilde de La Mole, Julien Sorel
Themes
Love
Devices
Situational irony

Explanation and analysis

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